Another Hildegard von Bingen. This time, "Voice of the Blood."
There is a pedal sustained note underneath, giving this a truly eerie and awesome feel. This singer is amazing. It has no harmony that I'm detecting, but it has a very strong modal melody line that takes care of the harmony itself. This song has a slow and solemn tempo. It is by far my favorite song of this era, thus far.
Philippe de Chancilier - Sol Oritur In Sydere
This is the highest countertenor that I've ever heard. His range is beyond that of most sopranos. I wonder why it was so popular to have the falsetto so mastered back in those times. It is definitely a beautiful sound, but it is so different than what we are used to today. I am entranced by his perfection of his instrument. It is entirely a Capella. There is no drone or any other voices to call or respond, and no instrument in sight, yet the singer is flawless. Truly, an impressive performance.
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